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- Blanche Gelfant: Dos Passos: The Synoptic Novel. In Dos Passos: a collection of critical essays. Szerk. Hook, Andrew. Englewood Cliffs, NJ: Prentice-Hall. 1974.
- Carmen Pena-Ardid: Literatura y Cine. Madrid, Cátadra, 1992.
- C. Metz: The Cinema: Language or Language System. In uő: Film Language: A Semiotics of the Cinema. University of Chicago Press, 1974. 31-91.
- E. D. Lowry: Manhattan Transfer: Dos Passos' Wasteland.In Dos Passos: a collection of critical essays. Szerk. Hook, Andrew. Englewood Cliffs, NJ: Prentice-Hall. 1974.
- George Bluestone: Novels into Film. Baltimore, The Johns Hopkins Press, 1957.
- Herbert Marshall McLuhan: John Dos Passos: Technique vs. Sensibility. In Dos Passos: a collection of critical essays. Szerk. Hook, Andrew. Englewood Cliffs, NJ: Prentice-Hall. 1974.
- John H. Cluenn: Three Novels: Tradition and the Individual Talent. In Dos Passos: a collection of critical essays. Szerk. Hook, Andrew. Englewood Cliffs, NJ: Prentice-Hall. 1974.
- M. M. Bakhtin: The Dialogical Imagination. Austin, University of Texas Press, 1981. [Magyarul: Mihail Bahtyin: Dosztojevszkij poétikájának problémái. Ford. Könczöl Csaba et al. Budapest, Osiris, 2001.]
- Seymour Chatman: Story and Discourse: Narrative Structure in Fiction and Film. Cornell, Cornell University Press, 1978.
- Walter Benjamin: The Work of Art in the Age of Mechanical Reproduction. In Illuminations. New York, Schocken Books, 1985. [Magyarul: Benjamin, Walter (1936): A műalkotás a technikai reprodukálhatóság korában. Ford. Kurucz Andrea. (http://aura.c3.hu/walter_benjamin.html)]
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