|
- Bailblé, C.: Programmation de L’écoute (2). Cahiers du cinéma, 293. szám (1978. október)
- Barthes, Roland: The Grain of the Voice. In Image – Music – Text. Ford. Stephen Heath. New York, Hill and Wang, 1977. 179-189.
- Benjamin, Walter: The Work of Art in the Age of Mechanical Reproduction. In Illuminations. Szerk. Hannah Arendt. Ford. Harry Zohn. New York, Schocken, 1969. [Magyarul: A műalkotás a technikai reprodukálhatóság korában. Ford. Kurucz Andrea. www.aurac3.hu/walter_benjamin.html]
- Bonitzer, Pascal: Les Silences de la voix. Cahiers du cinéma, 256. szám (1975. február-március)
- Doane, Mary Ann: Ideology and the Practices of Sound Editing and Mixing. InThe Cinematic Apparatus. Szerk. Teresa de Lauretis és Stephen Heath. Bloomington, Indiana University Press, London, Macmillan, 1984.
- Eisler, Hanns: Composing for the Films. New York, Oxford University Press, 1947.
- Heath, Stephen: Sexual Difference and Representation. Screen (1978. ősz), 19: 51-112.
- Jacobs, Lewis: The Rise of the American Film: A Critical History. New York; Teachers College Press, 1968.
- Lacan, Jacques: The Four Fundamental Concepts of Psycho-Analysis. Szerk. Jacques-Alain Miller. Ford. Alan Sheridan. London, Hogarth Press, 1977.
- Lewin, George: Dubbing and Its Relation to Sound Picture Production. Journal of the Society of Motion Pictures Engineers (1931. január), 16: 1
- Lyotard, Jean-Francois: The Unconscious as Mise-en-Scène. In Performance in Post-modern Culture. Szerk. Michel Benamou és Charles Caramello. Madison, Coda Press, 1977.
- Metz, Christian: Le Percu et le nommé. In Essais sémiotiques. Paris, Klincksieck, 1977.
- Mulvey, Laura: Visual Pleasure and Narrative Cinema. Screen (1975. ősz), 16: 6-18.
- Murch, Walter: The Art of the Sound Editor: An interview with Walter Murch. Az interjút készítette: Larry Sturhahn, Filmmaker’s Newsletter (1974. december), 8: 2
- Münsterberg, Hugo: The Film: A Psychology Study. New York, Dover, 1970.
- Nisbett, Alec: The Technique of the Sound Studio. New York, Focal Press Limited, 1972.
- Potzner, W. A.: Synchronization Techniques. Journal of the Society of Motion Pictures Engineers (1946. szeptember), 47: 3
- Rosolato, Guy: La Voix: entre corps et langage. Revue francaise de psychanalyse (1974. január)
- Willemen, Paul: Cinematic Discourse: The Problem of Inner Speech. In Cinema and Language. Szerk. S. Heath és P. Mellencamp. Frederick MD, University Press of America and American Film Institute, 1983.
|
|
